InFocus June 2025

WINTER 2025

Design by dialogue:

Domenic Cerantonio

PAGE 8

The Playground Project:

The art of play

PAGE 4

Guided by the studio’s Design by Dialogue

philosophy, co-founder of Cera Stribley,

Domenic Cerantonio, shares how thoughtful

collaboration, bold ideas and a deep connection

to place are shaping the future of Australian

residential design.

Domenic Cerantonio

on architecture that

resonates

The exhibition, curated by Swiss urbanist

Gabriela Burkhalter, traces 150 years of

playground design, highlighting its ties to art,

activism, and architecture. Read on to learn

how the project comes to life at the Melbourne

Incinerator Gallery this winter.

The Playground

Project Melbourne:

The art of play

In this article, Byron Kerr, Managing Director

of Jellis Craig Kingston, shares his journey

from commercial property to leading two

high-performing residential real estate offices

while balancing family time and life lessons in

empathy and resilience.

My Neighbourhood

with Byron Kerr

WINTER 2025

Contents

Welcome to our Winter edition of In Focus magazine. Discover a curated selection of style and

design inspiration from industry-leading experts and explore a handpicked collection of beautiful

homes across Melbourne, central Victoria, and the coast. Find your dream home with Jellis Craig.

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Four levels of architectural excellence, this

showstopper property sets the scene for

luxurious living at its finest, complete with an

inside pool, home gym and beachside views.

Feature Property:

270 Beaconsfield

Parade, Middle Park

Explore a collection of multi-residential buildings

by architecture practice, Cera Stribley. Designed

intelligently for the future, celebrating the

unique cultural, historical, and environmental

context of each project.

Luxe Developments:

Cera Stribley

Thoughtfully designed to capture natural light,

an atrium garden and soaring 6-metre ceilings

creates a memorable first impression, while

insitu concrete formwork and reclaimed San

Selmo bricks imported from Spain add timeless

texture and elegance.

Feature Property:

2 Grange Avenue,

Plenty

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Jellis Craig and The Jellis Craig Foundation are proud to

be major partners of The Playground Project exhibition.

Curated by Swiss urban designer Gabriela Burkhalter, the

work traces 150 years of playground design, highlighting

its ties to art, activism, and architecture. In this article,

Gabriela Burkhalter shares the origins of her research,

while Jade Niklai, Head of Visual and Public Art, Moonee

Valley City Council, reflects on how the project comes to

life in Melbourne at the Incinerator Gallery.

Yvan Pestalozzi, Lozziwurm (1972 / 2025).

The Playground Project Melbourne. Photo Michael Pham.

Courtesy Incinerator Gallery MVCC.

Why do you feel it is important to reflect on the history and future

of children’s play?

The Playground Project (Architektur für Kinder) emerged from a

research project I started around 2006, inspired by the book American

Playgrounds. Revitalising Public Space by Susan G. Solomon. When I

discovered a number of these non-standardised playgrounds, I realised

they are not considered part of the urban heritage. But why? They

had an incredible artistic quality and served as a testament to their

time. People have fond memories of these playgrounds, yet they were

simply removed, with few exceptions. I therefore wanted to document

these playgrounds and honour their designers, who had invested a lot

of time, passion and money.

How have cultural and political contexts shaped the way

playgrounds are designed around the world from 19th century

playgrounds of the past to more standardised designs today.

After World War Two, the topic of the playground became increasingly

important when the need to build new housing and neighbourhoods

arose, as did the question of where children could play safely in the

context of the dominance of cars in cities.

Later, design responsibility was handed over to companies, so standard

solutions became the norm (although they always existed alongside

individual solutions). Individual designs became almost impossible to

achieve due to the high safety standards.

Playground design used to be a sign of civic engagement. For

instance, the schoolyard playgrounds in the US in the 1970s were

often organised by the Parents & Teachers Association and built

through a collaborative effort. The first adventure playground, opened

in Germany in 1967, was a response to a lack of play spaces for older

children in a large housing estate in West Berlin.

The first adventure playground in Melbourne, Australia, also emerged

from the initiative of a single woman, Joan Healey. Building an

individual playground always requires the engagement of local people

and associations.

At the beginning of the playground movement, community groups in

countries such as the US, England, Germany, and Australia responded

to the challenges of growing urban environments. Playgrounds were

introduced to offer children safe spaces for activity, learning, and

social connection. Over time, the importance of play in childhood

development became more widely recognised. It was increasingly

linked to creativity, nature, and the benefits of unstructured

exploration. To support these ideas, new playground concepts

emerged, often shaped by artists, architects, and educators.

About Architektur für Kinder

Gabriela Burkhalter, Guest Curator

M. Paul Friedberg, Riis Park Plaza, Jacob Riis Houses, New York City, 1965.

Photo anon. Modern Records Centre and the Lady Allen of Hurtwood papers.

University of Warwick, Coventry UK. Courtesy The Playground Project.

Yvan Pestalozzi, Lozziwurm (1972 / 2025). The Playground Project

Melbourne. Photo Michael Pham. Courtesy Incinerator Gallery MVCC.

Winter 2025

In Focus Magazine

05

The Playground Project is where design meets adventure and where

the digital pause button gets pressed. In a world where kids often

play on screens, this colourful, ever-changing space turns play into

something magical, and invites kids and kids at heart to climb, explore,

and connect through hands-on, interactive installations. It’s not just

about fun, although there’s plenty of that; it’s also a place for social

connection. It’s a takeover where creativity, teamwork, and shared

imagination come to life. Every corner is designed to spark curiosity,

inspire movement, and remind us that some of the best learning

happens when kids play together.

As a collective, The Playground Project Melbourne invites audiences to

see play not just as child’s fun, but as a powerful force for reimagining

all lives and our public spaces. This vibrant, hands-on exhibition

shines a light on the importance of children’s play, while encouraging

communities and designers alike to think differently about how we use

and design our suburbs.

With support from Moonee Valley City Council, the project champions

the idea that liveability and creativity go hand in hand. By bringing

playful, interactive art into everyday environments, it shows how art

can spark connection, boost well-being, and breathe new life into our

streets and parks. The Playground Project Melbourne is more than just

fun. It’s a bold step toward art-led urban renewal and stronger, more

joyful communities.

Local community groups are invited to gather at the Round Table

during gallery hours; a modular artwork by renowned designer Mary

Featherston, a pioneer in creating play and learn spaces for children

over many decades, and the accomplished local artist and educator,

Emily Floyd. Created as both a play element and a space for public

programs, it encourages connection and creative exchange.

What do you hope visitors take away from the experience?

What conversations do you hope this exhibition will spark among

families, designers, or city planners?

Transforming Moonee Valley’s Incinerator Gallery

into interactive play space

Jade Niklai, Head of Visual and Public Art, Moonee Valley City Council

Welcoming visitors to the Incinerator Gallery is The Ringtales Playground, designed by the Melbourne-based

architecture studio and exhibition designer, BoardGrove Architects. This custom-built, public place space

is greatly inspired by Gabriela’s research: the pedagogical ideals of ‘free play’, the significance of organic

shapes and materials, and the criticality of risk-based play in childhood. Courtesy the Designers.

Winter 2025

In Focus Magazine

06

THE PLAYGROUND PROJECT MELBOURNE

30 June 2025 - 12 October 2025

180 Holmes Road, Aberfeldie VIC 3040

Open Wednesday to Sunday 11am to 4pm

Kids under 12 go free.

Exhibition design by BoardGrove Architect

Commissioned by Moonee Valley City Council

Presented by Incinerator Gallery

For tickets and more information:

playgroundproject.com.au

The Brutalist Playground, conceived by Australian visual artist Simon Terrill

and the UK-based design studio, Assemble; it re-imagines mid-20th century

brutalist playgrounds in colourful recycled foam and invites young visitors to

an immersive installation that blends sculpture and architecture.

Above image: courtesy Artist.

Naarm-based, Trawlwoolway multidisciplinary artist, Edwina Green invites

children and carers to explore, imagine and play on Wurundjeri Woi-wurrung

Country. Shaped like an abstract oyster, the First Nations Playable Public Art

Commission speaks to themes of childhood, togetherness, and renewal; while

honouring the environmental and cultural significance of the river.

Photo Gianna Rizzo.

In the Incinerator Gallery’s historic space, Emily Floyd will also exhibit a

selection of unique silk prints (Ripple, 2014) on the theme of Australian

feminism and community and has produced a new work inspired by a

photograph in her mother’s archive, celebrating childhood and

recreation in Moonee Valley. Above image: courtesy Artist.

Winter 2025

In Focus Magazine

07

Australia presents a unique market for expansion, as a highly

industrialised country with substantial undeveloped land. Additionally,

our country benefits from a strong migration pipeline, providing

significant opportunities for growth and urban development.

Melbourne has an exciting future. The city’s multicultural population

is a huge asset, and its diverse cultural landscape offers a rich source

of inspiration for architects. This cultural diversity leads to more

innovative designs as we bring their histories, stories, and backgrounds

into their spaces. Additionally, Melbourne’s temperate and variable

climate allows different approaches to design. The possibilities here

are vast, and I believe the next decade will see Melbourne continuing

to lead in the design world.

Our city’s evolution is shaping not just how we design, but how people

want to live. Over the past few years, we’ve seen a real shift in what

people value in their homes. Lifestyle now leads the conversation,

especially in the high-end residential market.

People are no longer just looking for bigger homes; they want more

flexible, adaptable spaces. Instead of open-plan areas, there’s a return

to compartmentalised spaces that allow for privacy and function in a

way that fits the demands of modern living.

DESIGN by

DIALOGUE

As co-founder of Cera Stribley,

Domenic Cerantonio believes great

architecture starts with conversation.

Guided by the studio’s Design by Dialogue

philosophy, he shares how thoughtful

collaboration, bold ideas and a deep

connection to place are shaping the future

of Australian residential design.

Domenic Cerantonio on architecture that resonates

Winter 2025

In Focus Magazine

08

Wellness is also playing a big role, features like saunas, plunge pools,

and advanced home automation are becoming standard. But it’s not

just about adding more space or more features; it’s about creating

homes that enhance people’s quality of life.

One of the projects we’re most proud of is Boxshall. A collaboration

with an international design firm Studio Piet Boon. Their take on

apartment living was quite different from ours, and that tension

created something special. Instead of defaulting to a typical open-plan

layout, we started pulling things apart. We moved the kitchen into

its own space, separated key zones, and reconfigured the way each

apartment flowed. As a result, every layout feels considered. There’s a

uniqueness and intimacy to how the homes function.

Boxshall proved to us that when you’re brave with your ideas and you

surround yourself with the right collaborators, people respond to that

authenticity. It raises the bar not just for us, but for the neighbourhood

it sits within.

For us, design has always been about more than just form or finish,

it’s about the conversations that shape it. Design by Dialogue reflects

the way we work, listening closely, challenging ideas when needed,

and always staying open to where the process might lead. We’re not

interested in architecture that plays it safe. The work we’re most proud

of comes from asking better questions, pushing past convention, and

designing in a way that feels deeply connected to place, to people,

and to the way we live now.

Cera Stribley is an architecture and interior design studio,

passionate about creating enduring spaces and beyond.

C-S.COM.AU

When designing for resale, one of the most important considerations

is including a primary suite on the ground floor. It’s a key feature for

buyers looking for long-term liveability, especially for older residents

or multi-generational households. Often, it’s the homes with well-

proportioned, thoughtfully planned spaces that resonate most. Good

design balances function and beauty without compromising flow or

comfort.

Ultimately, great design isn’t just about ticking boxes, it’s about taking

considered risks that add real value. I believe that as an industry, we

sometimes play it too safe with our designs. At Cera Stribley, we’ve

had the most success when we’ve pushed boundaries, tried new

things, and explored ideas in ways we hadn’t seen before. The result is

often something unique, it resonates with people because it’s different

and exciting.

Winter 2025

In Focus Magazine

09

What were some of the key milestones or turning points along

that journey?

Enrolling in a Certificate IV in Property Services was a key turning

point that opened my eyes to the agent’s world, where connection,

negotiation and emotional intelligence matter as much as technical

expertise. Auctioneering, the final subject, was transformative. I still

remember standing at the front for the first time, trying to navigate

the energy of the room. It felt natural, like all the pieces of my journey

had finally clicked into place.

Is there a standout memory you have from an auction or property

story that captures the spirit of the neighbourhood?

One that stands out involved an elderly woman selling the family

home after losing her husband. For her, this wasn’t just a sale it was

the closing of a chapter filled with decades of memories. We took

the time to guide her with empathy, offering clarity and reassurance

when she needed it most. When the property sold, there were lots of

tears, a mix of grief and gratitude.

What initially drew you to the real estate industry?

My path into real estate began with a gentle nudge from my father.

At 21, fresh from a commerce degree and unsure of my next step,

he arranged a meeting with the Dean of RMIT’s Property program.

That conversation sparked my interest in the strategy and scale of the

industry. I spent my twenties at two major Melbourne development

firms, watching ideas become buildings, then added a postgraduate

diploma in property valuations and a Master’s in Property Business.

Those years quietly built the foundation for the career and business I

lead today.

In this article, Byron Kerr, Managing Director of Jellis

Craig Kingston, shares his journey from commercial

property to leading two high-performing residential

real estate offices. At home, he and his wife Josie

raise daughters Lyla and Ella, along with their golden

retriever Polly, balancing busy careers with family

breakfasts, and life lessons in empathy and resilience.

City of Kingston

Winter 2025

In Focus Magazine

10

Contact Byron to discuss your investment goals in Kingston.

Do you have any favourite local spots in Mentone, Chelsea or the

surrounding suburbs; cafes, parks, or hidden gems?

Truly Scrumptious in Mentone is a morning staple for us, their coffee

is hard to beat and for lunch you’ll usually find us at The Corner Store

in Mentone or Edithvale General Store. Huff Bagelry is always buzzing,

and for dinner, Just Italy serves up handmade pasta and pizza

that’s hard to pass up, along with the consistently reliable Castellos

Longbeach Hotel in Chelsea.

A special mention to Mordialloc, as the area has really stepped up

lately too, with exciting new additions like Chiki Chan for top-shelf

Asian fusion and Rococo for incredible Italian, both adding so much

to the growing culinary scene in Kingston. If you’re after a scenic

walk or a relaxing spot post-meal, Peter Scullin Reserve offers lovely

bay views, and the Long Beach Trail is perfect for a stretch along

the coast. It’s an exciting time to be a local foodie in this part of

Melbourne.

In that moment, and many since, I’ve come to appreciate that the

true impact of our work isn’t just in the result, but in how we show

up for people when they’re at their most vulnerable. It’s the trust and

understanding—not just the mechanics—that leave a lasting legacy.

Recently celebrating your 10-year wedding anniversary with

Josie, how has life in this area shaped your family’s journey?

We constantly remind ourselves how incredibly fortunate we are to

live so close to the ocean. Josie always says there’s something calming

about the sea air, and she’s right. There’s a peace that comes with

being near the water that’s hard to describe but easy to feel.

Josie and the kids are often out running the local tracks or exploring

one of the many nearby parks. I do my best to keep up with them. It’s

become one of our favourite ways to stay connected and spend time

together.

We love the incredible range of food options right at our doorstep.

From casual bites to more refined dining, we enjoy discovering

something new each week. When it comes to raising our daughters,

having access to excellent schooling options has given us real peace

of mind.

And after ten years, I can honestly say we wouldn’t want to be

anywhere else.

Where would we find you on a Sunday morning if you weren’t

working?

Sundays are our dedicated family time. The kids lead the morning,

usually with colouring, Barbies or Bluey. It’s relaxed and full of laughs.

In the afternoon, we’ll head out to see friends, visit a park, or grab a

bite nearby. It’s our day to slow down and really be present with each

other.

What’s something people might be surprised to learn about you?

I met my wife while trying to sell her house. Easily the greatest listing

I’ve ever had (as she reminds me). It was a real sliding doors moment.

What started as a professional connection quickly turned into

something much more, and the rest is history. Ten years of marriage

later, we still joke together that I didn’t just help her move houses, I

moved in myself.

What’s a valuable lesson you hope to instil in your daughters as

they grow up?

One thing I really hope to instil in my daughters is the idea that if you

do what you love, the rest will take care of itself. It’s something I’ve

learned through my own journey, following what drives you, what

brings you joy, tends to open the right doors in life, both personally

and professionally.

They’re already kind, thoughtful and self aware (thanks largely to their

mum) and watching them grow into confident, compassionate young

girls has been a true privilege. With their drive and empathy, they’ll

thrive no matter what path they choose.

Byron Kerr

Managing Director

Jellis Craig Kingston

M 0421 192 271

It felt natural, like all the

pieces of my journey had

finally clicked into place.

Winter 2025

In Focus Magazine

11

Expressions of Interest

Closing Monday 23rd June at 2:00pm

Price

Contact Agents

Jellis Craig Port Phillip

Simon Gowling 0422 234 644

Max Mercuri 0431 043 723

Sophie Gorring 0400 066 180

4 beds, 4 baths, 4 cars

270 Beaconsfield Parade, Middle Park

Four Levels of Architectural Excellence

Winter 2025

In Focus Magazine

12

Auction

Saturday 28th June at 1:00pm

Price

$3,300,000 - $3,600,000

Jellis Craig Northcote

Sam Rigopoulos 0425 834 583

Paula Beavis 0407 267 366

5 beds, 3 baths, 2 cars, 432sqm approx

Infinite luxury with quality innovation

34 Andrew Street, Northcote

Winter 2025

In Focus Magazine

13

Expressions of Interest

Closing Tuesday 17th June at 2:00pm

Price

$1,500,000 - $1,550,000

Jellis Craig Fitzroy

Marcus Kassab 0412 987 006

Simon Mason 0439 617 844

Carmel Morganti 0438 665 145

4 beds, 1 baths, 2 cars

Victorian grandeur in lifestyle surrounds

84 Pin Oak Crescent, Flemington

Winter 2025

In Focus Magazine

14

Auction

Saturday 5th July at 12:00pm

Price

Contact Agent

Jellis Craig Northcote

Sam Rigopoulos 0425 834 583

4 beds, 3 baths, 1 cars, 415sqm approx

Architectural design meets family comfort in

within Northcote’s premier pockets

Winter 2025

In Focus Magazine

15

Expressions of Interest

Closing Friday 27th June at 12:00pm

Price

$2,450,000 - $2,550,000

Jellis Craig Fitzroy

Charles Atkins 0405 287 112

David Ashby 0404 342 410

3 beds, 2 baths, 2 cars

Sublime McLaren & Co luxury with a vast

city-view terrace

301/341 George Street, Fitzroy

Winter 2025

In Focus Magazine

16

Private Sale

Price

$2,400,000 - $2,600,000

Jellis Craig Ballarat

Phil Hayward 0419 107 112

Toby Tanis 0413 842 666

5 beds, 3 baths, 4 cars, 12.4acre approx

A private family retreat with unparalleled

lifestyle appeal

16 Whites Road, Buninyong

Winter 2025

In Focus Magazine

17

Expressions of Interest

Closing Wednesday 18th June at

3:00pm

Price

$1,950,000 - $2,090,000

Jellis Craig Hawthorn

James Chronis 0431 146 648

Adele Mirabella 0422 570 429

4 beds, 3 baths, 2 cars, 337sqm approx

Architectural lifestyle appeal

77 Latrobe Street, Bulleen

Winter 2025

In Focus Magazine

18

Expression of Interest

Closing Tuesday 17th June at 12:00pm

Price

Expressions of Interest

Jellis Craig Armadale

Carla Fetter 0423 738 644

David Sciola 0408 598 242

Aylin Demir 0402 586 280

4 beds, 3 baths, 2 cars, 750sqm approx

An unmatched family environment

50 Glendearg Grove, Malvern

Winter 2025

In Focus Magazine

19

Auction

Saturday 14th June at 1:00pm

Price

Contact Agent

Jellis Craig Hawthorn

Peter Vigano 0407 301 224

Geordie Dixon-Sima 0418 588 399

Jessica Zhang 0452 468 117

4 beds, 3 baths, 3 cars, 1795sqm approx

Luxury family lifestyle, prestigious locale

12 Chaucer Crescent, Canterbury

Winter 2025

In Focus Magazine

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